Samuel Penderbayne, Komponist

Samuel Penderbayne, KomponistSamuel Penderbayne, KomponistSamuel Penderbayne, Komponist
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      • The End of Genre (2025)
      • Kintsugi (2023)
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Samuel Penderbayne, Komponist

Samuel Penderbayne, KomponistSamuel Penderbayne, KomponistSamuel Penderbayne, Komponist

Signed in as:

filler@godaddy.com

  • Home
  • Musiktheater
    • Die verz. Stadt (2026,7+)
    • Wohnzimmeroper (2026,20+)
    • Konrad (2025,7+)
    • Der Gurkenkönig (2024,7+)
    • Siegfried! (2023,13+)
    • Subotnik (2020/22,18+)
    • F*cking Åmål (2020,14+)
    • Fallen&Steigen (2021,∞)
    • D.Schneekönigin (2019,7+)
    • Trialog (2017, ∞)
    • I.th.Ak.A. (2018,18+)
    • Alice (2014, 9+)
  • Mehr
    • Artistic Research
    • Konzertmusik
    • Outreach
    • Pop und Tanz
    • Kuration
    • The End of Genre (2025)
    • Kintsugi (2023)
  • Teaching

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Kintsugi (2023)

Kintsugi (2023) for Solo Piano

Performed by Henriette Zahn

Recorded in Konzerthaus Bleibach (2025) 

Video: Friedrich Gatz 

Audio: Balthasar Effmert  

Kintsugi, literally translating to "golden joinery", is a Japanese art of repairing broken objects not with glue but with gold. The goal is not to hide the cracks but to highlight them, transforming the damaged object into a unique and even more cherished item. It's a practice deeply rooted in the Japanese aesthetic of wabi-sabi, which finds beauty in imperfection and the history of an object, rather than in perfection.  


This work for solo piano seeks cracks in different pianistic traditions: classical, jazz and contemporary music. It seeks to highlight the joins, find synergies but also allow them to contrast. 


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